Ciele | Why No One Can Copy a Ciele Hat


Josh Rosenthal

August 6, 2026

Ciele arrived at a moment when running was becoming something larger than sport. 

Run clubs, athleisure, skate and snow influence, and a new appetite for products that could move between performance and everyday life were all converging. The brand’s color blocking and visual identity became instantly recognizable, but that aesthetic success can obscure the harder part of the story: the product discipline, material thinking, and functional obsession underneath it.

The Rise of Ciele is the first film in Almanac | Catalog, Borderlands’ considered look at what running brands put into the world through a non-performance lens. Over six weeks, the project grew from a straightforward brand profile into a broader examination of the cultural conditions that made Ciele possible, with perspective from co-founder Jeremy Bresnen, Daniel Marrett, Jano Arabaghian, Corey Stecker, Katherine Douglas, and others around the brand and industry.

At the center is a small artifact from before Ciele was Ciele: the Miles hat. The original name did not survive, but much of the ethos did. Following that story reveals a company that has always been interested in more than making something look good. 

The film is ultimately about how Ciele learned to participate in culture without sitting above it, and why the parts of the brand that were easiest to copy may not be the parts that made it matter.


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Josh Rosenthal is the founder of Borderlands, an editorial media company built around trail running, ultrarunning, and the culture surrounding the sport. Through essays, films, interviews, and the Borderlands Trail + Ultra Running Podcast, he is building Borderlands into a media institution for deeper stories, sharper counterpoints, and a fuller celebration of trail running. His work brings taste, curiosity, and cultural analysis to a sport often covered through race results, gear, and athlete-led narratives.